Lighting in Victorian Homes

A mix of natural and electric lighting in the Cappon House entrance

A mix of natural and electric lighting in the Cappon House entrance

From “Victoriana Magazine”: Victorian Lighting

Late 19th – early 20th century Victorian lighting included four forms: candles, oil lamps, gas, and electricity. Lighting fixture design was in keeping with the general decoration and outfitting of the room. Typically only in the hall, dining room, and living room was there a great concern with the decorative phase of Victorian lighting. Elsewhere the question was largely one of practical use, although style and design were not completely ignored. Bulbs were made in all sorts of shapes to fit recesses or for special purposes, and the designs in shades and candelabra were numerous.

The style of Victorian lighting for the dining room table and library table was some form of drop light, or chandelier. For general lighting, wall sconces, lanterns, or brackets were preferable. Some of these fixtures were very beautiful, although there was a tendency towards over elaboration. A useful light fixture was provided for the veranda, just outside the door, illuminating the front-steps and path to the sidewalk. This light was turned off and on by a switch key inside the door. Lower-power lamps from one to sixteen-candle power, or the “hylo,” were used in halls, closets, and bathrooms. The “hylo” also proved useful in bedrooms where children were put to sleep, affording sufficient light to daunt the hobgoblins without discouraging the approach of the sandman.

For more information on lighting from the Victorian Era, check out this article on Early Electrical Lighting in Homes.

-Taylor

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New Exhibit: “Bentheimers in West Michigan”

"Bentheimers in West Michigan" in the Holland Museum's Focus Gallery

“Bentheimers in West Michigan” in the Holland Museum’s Focus Gallery

Our newest temporary exhibition, “Bentheimers in West Michigan”, opened to the public this past Friday, April 26. The Holland Museum partnered with the Bentheimers International Society on this exciting exhibit.

The impact of the Netherlands on Holland’s history and heritage is well known. However, many people in West Michigan can actually trace their roots not to the Netherlands, but to Germany. This lineage begins in Bentheim, a German county that borders and geographically extends into the Netherlands, adjacent to the Dutch provinces of Overijssel and Drenthe.

Reverend Van Raalte left the Netherlands in 1846, bound for a new home for his family and church followers. Around the same time, a group from Bentheim, some of whom were Van Raalte congregants, also left to make a new life for themselves. Both groups found themselves in the same region, a forested area around Black Lake (now Lake Macatawa.) Van Raalte and his followers founded the city known as Holland. The Bentheimers settled just south of Holland and founded the city of Graafschap, named for their homeland, Grafschaft Bentheim, or the County of Bentheim.

To this day, the Dutch and Bentheimers still share a border, in Europe and right here in West Michigan. The cross-cultural influence is readily apparent in religion, traditions, and customs, including language, dress, and daily life.

Emergency Money with family photographs on display in "Bentheimers in West Michigan"

Emergency Money with family photographs on display in “Bentheimers in West Michigan”

For more information on this new exhibition, check out this lecture by one of the society’s members: Dutch by Association lecture. For more information on the Bentheimers International Society, check out their website.

“Bentheimers in West Michigan” is on display in the Holland Museum’s Focus Gallery until July 22, 2013.

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2013 Annual Volunteer Appreciation Luncheon

Each volunteer received a pink hyacinth as a thank you

Each volunteer received a pink hyacinth as a thank you

On Tuesday, April 23 we honored all of our amazing volunteers who contributed their valuable time during the 2012 calendar year. We had a great time as volunteers, staff members, and board members gathered at the Holland Armory to celebrate. Staff members each made a dish to pass around during the luncheon; we sure have some talented cooks working here! We recognized volunteers who contributed 100+ and 50+ hours during the calendar year. The top 5 volunteers from last year each received a special honor, including Fannie who had 250 hours! Keep up the good work!

Bob was one of our top 5 volunteers from 2012!

Bob was one of our top 5 volunteers from 2012!

Thank you to all of our talented, amazing, dedicated, enthusiastic, and passionate volunteers! You all make our lives so much better and brighter! Thank you for all that you have done and continue to do.

-Taylor

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April Training Notes: Living in Victorian Times–The Cappon House

Guest Room/Sewing Room in the Cappon House

Guest Room/Sewing Room in the Cappon House

For April’s gallery training we took a little trip back in time. We visited the Victorian Era, a time filled with calling cards, Victorian Manners & Etiquette, and crazy fashion! The Cappon House is interpreted to the year 1900, just at the end of Victorian Times. We spent some time reviewing the rooms at the house and discussing some of the Victorian activities or ideas connected to each of them, such as calling cards and the etiquette of visiting at the front door, and Victorian Games & Activities and calisthenics in the upstairs sitting room. We even discussed some of the public and private interiors and furniture on each of the floors.

For more information on the Victorian Era, check out these links: Cassells Household Guide, c.1880s and Victorian Station.

-Taylor

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March Training Notes: Your Questions Answered!

This month’s training we tried to answer all of your questions! You will find these questions, and answers, listed below. A big thank you to Caz for researching everything!!!

 

Q: What happened at Windmill Island when Prince Bernhard visited?

Prince Bernhard at Windmill Island

Prince Bernhard at Windmill Island

A: He only had Dutch money on him and they were unable to make change. So he paid for himself and Governor Romney.

Q: Which of the glass churches in the museum lobby are still in existence?

A: 9 of the 10 are still in existence. The Baptist (actually a Mennonite church) in Beverwijk recently celebrated their 100th anniversary. The Reformed, New Church, in the Hague closed in 1969, but is now a concert hall. The CRC in the Hague is still standing, as well as the Old Catholic, Catholic Parish, also located in the Hague. The Christian Scientists Church in the Hague is still standing. The Hebrew Synagogue, New Synagogue, in Amsterdam is now part of the Jewish History Museum. The Roman Catholic Church, St. John’s in Hertogenbosch is still standing, as is the Remonstrant Church in Oude Wetering. Unfortunately, the Orthodox Reformed Church was lost in the bombing of Rotterdam in 1940 (we think).

King Basket Factory

King Basket Factory

Q: Why are there so many hills in Kollen Park?

A: The King Basket Factory had steam vats sunk partially into the ground. When the factory was razed to turn it into a park, the concrete resisted all attempts to dynamite it into pieces. So they covered them with dirt and called them the upper and lower terraces.

Q: It is now a public park, but what used to be located next to what is now Cold Stone Creamery?

A: The Center Theater and Herfst Photo Studio

Q: How much does the marriage cabinet in the Dutch Galleries weigh?

A: It is estimated to weigh 1,000 pounds!

St. Francis Catholic Church

St. Francis Catholic Church

Q: Why was the Catholic Church (St. Francis) located so far out of town?

A: When the parishioners wanted to build a church building (they had been meeting in people’s homes), the bishop wanted them to purchase an acre of land to allow for future expansion. The first building was built in 1903 and the parish moved to Maple Ave. in 1913 (so much for future expansion)!

Q: Why do all of the areas on the south side of Lake Macatawa seem to be named “Park”?

A: Macatawa Park was named in 1881. Many of the other parcels started as just that, parks, and as the land was divided and sold the plats were named after the parks that had been there. Vacationers/city dwellers looking for somewhere quiet to relax.

Q: Tell me more about heating at the Cappon House.

A: Parlor fireplace and small parlor stoves served as first heating system (probably one in the family parlor and one in the dining room). The kitchen stove heated that area of the house. There is no mention of any stoves upstairs. In 1889 a boiler was added to the basement and the radiators were installed. The boiler was replaced in the 1920’s and again when the house was remodeled by the Trust/city.

Q: Where is the stone by the 16th Street access to Kollen Park from? It is dated 1901.

A: Holland Shoe Company was located on the north side of 16th between Cleveland and Harrison. This was the factory’s cornerstone. It is probably not too far from it’s original home, although none of the photographs we have of the factory show the stone’s actual location.

 

Keep your questions coming! If we get enough, we’ll hold a “Your Questions Answered, Part 2″ this fall!

Upcoming training: Living in Victorian Times at the Cappon House on April 16 and 20 (training to be held at the Cappon House); no training in May due to Tulip Time; Summer 2013 training will be on temporary exhibitions and behind-the-scenes of collections storage.

-Taylor

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February Training Notes: Review of the Permanent Gallery & Effective Storytelling

Learning about effective storytelling in the galleries

Learning about effective storytelling in the galleries

For February’s training we reviewed Permanent Gallery Highlights (updated list), which objects in the galleries were originally from the Netherlands (List of Red Tulips), and learned about effective Storytelling in the Gallery.

Here are some highlights from our training session:

  • Holland Museum’s Collection includes over 16,000 objects and over 5,500 linear feet of paper in the Archives
  • Our Collection has evolved greatly over the past 75 years
  • There are over 1,200 objects/images on display in the Permanent Gallery
  • The permanent gallery is in no particular order, except timeline
  • Provenance is the history of ownership of a valued object or work of art; it is important for us to know an object’s history so we can share the correct information with our visitors. Sometimes an object is important because of who owned it, where it was made, who made it, or the type of material it was made with.

We also reviewed some general museum rules (always a good thing to review with visitors or to explain nicely to them) before we discussed storytelling:

  • No touching because we might break something or because they are expensive to clean
  • We do allow touching in Mark’s Room and some other areas in the Permanent Gallery (Hands-On Holland program guide stations)
  • As a docent, you are allowed to turn the Klok music on
  • Photography is permitted in the Permanent Gallery because we own all of the objects and/or have permission from our lenders to take photos of their objects

Speaking of storytelling, have you heard any good stories from a museum visitor lately? Do you have a personal story about a particular object, company, or event in Holland’s history you would like to share? Write them down and send them our way! We’re going to compile all of them and share them with the rest of our docents! It’s a great way to learn more about our unique community and the amazing people who call it home.

-Taylor

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Volunteer Perspective

HHT Fire Training+statues 024“My husband and I became members of the Holland Museum right after we bought our house here in 2003.   I felt it was a good way to learn about this community that we planned on being a part of for the rest of our lives.  I also thought it would be an avenue to meet people in the community.  Both reasons turned out to be very effective.  I became a Docent in 2007, after retiring from 29 years in the Title Business.  I was used to talking in front of small to large groups and have always loved history, so it seemed a natural progression.  I was given good training, and shadowed several experienced Docents before I felt comfortable on my own.   Every time I volunteer I leave with a smile on my face.  I meet the most interesting people during my shifts, from all over the world,  and am always excited to share the many wonderful facets of this diverse community that we live in.

“In August of 2011 I was asked to become a Member of the Board of the Holland Historical Trust .  It  was quite an honor to be asked to be the first Docent Member of the Board.  I was intrigued by this diverse group who work so very hard at making our Museum the star that it is in our community.  I look forward to serving on the Board and trying to bring in a different perspective.  Our Museum is such an important part of Holland, such a treasure trove of information and beauty.  I am very lucky to be a part of such a great organization.”

-Anne T. Stewart

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